These articles address how art can create and challenge power and privilege.
In a new set of installations, The Met spotlights universal themes.
Early modern rulers used scientific objects to express magnificence—but their "science" was more expansive than ours.
At 41 carats, the gemstone is the largest known natural green diamond, and is on view now at The Met.
Poet Wendy S. Walters confronts the power dynamics at play in creating and viewing Carpeaux’s Why Born Enslaved!
Mutu inaugurates The Met’s annual facade commission with The NewOnes, will free Us.
How James Rorimer, future director of The Met, visited a fairy-tale castle in Germany and discovered a trove of paperwork documenting Nazi art looting in World War II.