Department Bibliography

Fischer, C, Federico Carò, Polkinghorne, M. (2023). From Quarries to Temples: Stone Procurement, Materiality, and Spirituality in the Angkorian World. In: Hendrickson, Stark & Evans Eds., The Angkorian World, 1st Edition, Routledge, London, UK, pp. 360–384.

Chiostrini, G., Cleland, E., Nobuko Shibayama, Federico Carò. (2023). A Monumental-Scale Crimson Velvet Cloth of Gold at The Met: Historical, Technical, and Materials' Analysis. Metropolitan Museum Journal, 57, pp. 134–147.

Kargère, L. Solé, R., Federico Carò, Prada, J. L., Guasch-Ferré, N., Badia Cortada, M. (2023). The Counts of Urgell and the monastery of Les Avellanes: archaeological evidence and material analysis of a building and its monuments. Materia: Journal of Technical Art History, 3–3.

Abramitis, D.H., Federico Carò, and Adriana Rizzo (2023). Condition, Restoration, and Scientific Study of the Gosford Wellhead. The Metropolitan Museum of Art Bulletin, Winter 2023. Volume LXXX, Number 3, pp.41–47.

Silvia A. Centeno, Stephanie D’Alessandro and Isabelle Duvernois. ‘Reclining Nude’ in Barbara Buckley, Simonetta Fraquelli, Nancy Ireson and Anette King eds. Modigliani Up Close. The Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London, 2023, pp. 136–139.

Silvia A. Centeno, Stephanie D’Alessandro and Isabelle Duvernois. ‘The Italian Woman’ in Barbara Buckley, Simonetta Fraquelli, Nancy Ireson and Anette King eds. Modigliani Up Close. The Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London, 2023, pp. 186–189.

Silvia A. Centeno, Stephanie D’Alessandro and Isabelle Duvernois. ‘Jeanne Hébuterne’ in Barbara Buckley, Simonetta Fraquelli, Nancy Ireson and Anette King eds. Modigliani Up Close. The Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London, 2023, pp. 264–267.

Sophie Scully and Silvia A. Centeno. ‘The Technical Examination and Restoration of the Frames,’ in Maryan W. Ainsworth ed. Jan van Eyck’s Crucifixion and Last Judgment Solving a Conundrum. Brepols, Turnhout, Belgium, 2023, pp. 10–29.

Sophie Scully and Silvia A. Centeno. ‘Investigating Van Eyck’s Working Technique,’ in Maryan W. Ainsworth ed. Jan van Eyck’s Crucifixion and Last Judgment Solving a Conundrum. Brepols, Turnhout, Belgium, 2023, pp. 96–115.

Emily R. Long, Alayna Bone, Eric M. Breitung, David Thickett, and Josep Grau-Bové. “Automated corrosion detection in Oddy test coupons using convolutional neural networks.” Heritage Science 10, 150 (2022). https://doi.org/10.1186/s40494-022-00778-3.

Galluzzi, Francesca, Stéphane Chaignepain, Julie Arslanoglu, and Caroline Tokarski. "Hydrogen‑deuterium exchange mass spectrometry to study interactions and conformational changes of proteins in paints." Biophysical Chemistry 289 (2022): 106861.

Rogge, Corrine E., Isabelle Duvernois, Silvia A. Centeno, Julie Arslanoglu, J. and Zahira Veliz Bomfrord, “The New York Incubator, 1939-1950”, in Franz Kline, The Artist’s Materials, ed. C.E. Rogge and Z. Veliz Bomford, Getty Publications, Los Angeles, CA, USA, 2022, pp. 11–32.

Gehad, Basem, Julie Arslanoglu, Clara Granzotto, and Marco Leona. "Molten Versus Punic Encaustic: Interdisciplinary Analytical Approach for the Determination of Methods Used for Encaustic Painting Implementation." In Proceedings of the First International Conference on the Sience of Ancient Egyptian Materials and Technologies, vol. 64, p. 75. ISD LLC, 2022.

Abed Haddad, Gianluca Pastorelli, Annette S. Ortiz Miranda, Loa Ludvigsen, Silvia A. Centeno, Isabelle Duvernois, Caroline Hoover, Michael Duffy, Anny Aviram, Lynda Zycherman. ‘Exploring the private universe of Henri Matisse in The Red Studio.’ Heritage Science, 2022, 10:168. https://doi.org/10.1186/s40494-022-00797-0.

Jennifer Mass, Rebecca Pollack, Aaron Shugar, Adam C. Finnefrock, Silvia A. Centeno and Isabelle Duvernois. ‘Scientific Study, Condition Challenges, and Attribution Questions in Yves Tanguy’s Oeuvre.’ In Analytical Chemistry for the Study of Paintings and the Detection of Forgeries, M. P. Colombini, I. Degano and A. Nevin (eds.), Cultural Heritage Science Springer, Cham, 2022, pp. 47–94. https://doi.org/10.1007/978-3-030-86865-9_2.

Corina E. Rogge, Isabelle Duvernois, Silvia A. Centeno, Julie Arslanoglu and Zahira Véliz Bomford. ‘The New York Incubator, 1939–1950,’ in ‘Franz Kline. The Artist’s Materials,’ Corina E. Rogge with contributions by Z. Véliz Bomford and J. Arslanoglu S.A. Centeno, I. Duvernois, M. Martinez Leal. Getty Conservation Institute, Los Angeles, 2022, pp. 11–32.

Corina E. Rogge, Isabelle Duvernois, Silvia A. Centeno, Julie Arslanoglu and Zahira Véliz Bomford. ‘A New Voice: Genesis of the 1950 Charles Egan Gallery Show,’ in ‘Franz Kline. The Artist’s Materials,’ Corina E. Rogge with contributions by Z. Véliz Bomford and J. Arslanoglu S.A. Centeno, I. Duvernois, M. Martinez Leal. Getty Conservation Institute, Los Angeles, 2022, pp. 47–67.

Katherine Sanderson, Silvia A. Centeno and Catherine H. Stephens. ‘A Diagnostic Approach for Understanding and Preserving Silver-Based Photographs.’ In A. Vila and A. Murray Eds. Conservation 360°. Diagnosis, Before, During, After, 2022. Valencia: Universitat Politècnica de València, pp. 286-323. https://doi.org/10.4995/360.2022.657201.

Charlotte Hale and Silvia A. Centeno. ‘The Death of Socrates. New Discoveries.’ Perspectives. New York: MMA. May 6, 2022.

Abramitis, D.H.,  Elena Basso, Federico Carò, Hemingway, S., Lepinski, S. and Marco Leona. ‘Ancient Greek Sculpture in Color.’ Perspectives. New York: MMA. Aug 12, 2022.

Dorothy Mahon, Silvia A. Centeno, Mark T. Wypyski, Geert van der Snickt, Joris Dik and Koen Janssens. ‘Rembrandt’s Aristotle with a Bust of Homer revisited: technical examination and new insights.’ In Rembrandt Now: Technical Practice, Conservation and Research, Marika Spring and Ashok Roy eds., Archetype Publications and The National Gallery of Art, London, 2022, pp. 52-62.

Molly Wagner, Jaclyn Catalano, Valeria Di Tullio, Roberta Pigliapochi, Nicholas Zumbulyadis, Silvia A. Centeno, Cecil Dybowski. ‘Applications of NMR Spectroscopy in Cultural Heritage Science.’  Comprehensive Inorganic Chemistry III, Elsevier, 2022, pp. 1-43. https://doi.org/10.1016/B978-0-12-823144-9.00064-9.

Tokarski, Caroline and Julie Arslanoglu, Mystères moléculaires au musée, Etonnant chimie: Découvertes et promesses de XXIe siècle, CNRS Editions, 2021.

Federico Carò, Schorsch, D., Louisa Smieska, Brunella Santarelli (2021). Non-invasive XRF analysis of ancient Egyptian and near Eastern turquoise: A pilot study. Journal of Archaeological Science: Reports, 36: 102893.

Nienke Bakker, Kathrin Pilz, Charlotte Hale, Silvia A. Centeno, and Muriel Geldof. ‘Olive Trees.’ In Nienke Bakker and Nicole R. Myers (eds.) Van Gogh and the Olive Groves. Yale University Press, 2021, pp. 134–141.

Nienke Bakker, Kathrin Pilz, Charlotte Hale, Ann Hoenigswald, Silvia A. Centeno, and Muriel Geldof. ‘Women Picking Olives.’ In Nienke Bakker and Nicole R. Myers (eds.) Van Gogh and the Olive Groves. Yale University Press, 2021, pp. 154–166.

Federica Pozzi, Silvia A. Centeno, Federico Carò, Gillian McMillan, Lena Stringari and Vivien Greene. ‘The Life of a Painting as Traced by Technical Analysis: Original Materials and Posthumous Alterations in Édouard Manet’s Woman in Striped Dress.’ Coatings, 2021, 11:1334. https://doi.org/10.3390/coatings11111334.

Federica Pozzi, Elena Basso, Silvia A. Centeno, Isabelle Duvernois and Julie Arslanoglu. ‘A pioneer of acrylic painting: new insights into Carmen Herrera’s studio practice.’ Heritage Science, 2021, 9: 131. https://doi.org/10.1186/s40494-021-00603-3.

Silvia A. Centeno, Dorothy Mahon, and David Pullins. ‘Refashioning the Lavoisiers.’ Perspectives. Behind the Scenes. New York: MMA, September 1, 2021. 

Silvia A. Centeno, Dorothy Mahon, Federico Carò, and David Pullins. ‘Discovering the evolution of Jacques-Louis David’s portrait of Antoine-Laurent and Marie-Anne Pierrette Paulze Lavoisier.’ Heritage Science, 2021, 9: 84. https://doi.org/10.1186/s40494-021-00551-y.

David Pullins, Dorothy Mahon, Silvia A. Centeno. ‘The Lavoisiers by David: technical findings on portraiture at the brink of revolution.’ The Burlington Magazine, 2021, 163: 780–791.

José L. Lazarte, Silvia A. Centeno and Federico Carò. ‘Bold Gestures in a Devotional New Spanish Painting on Copper by Juan Francisco de Aguilera.’ Materia Journal of Technical Art History, 2021, 1 (1).

Sophie Scully and Silvia. A. Centeno. ‘Characterizing the Underdrawing Material in the Virgin and Child with Saints Catherine of Alexandria and Barbara.’ In Lizet Klaassen and Dieter Lampens (Eds.) Harmony in Bright Colors. Memling’s God the Father with Singing and Music-Making Angels Restored (Turnhout, Belgium: Brepols 2021), 2021, pp. 164-65.

Federica Pozzi, Elena Basso, Silvia A. Centeno, Louisa M. Smieska, Nobuko Shibayama, Roy Berns, Megan Fontanella, Lena Stringari. ‘Altered Identity: Fleeting Colors and Obscured Surfaces in Van Gogh’s Landscapes in Paris, Arles, and Saint-Rémy.’ Heritage Science, 2021, 9:15. https://doi.org/10.1186/s40494-021-00489-1.

2020

Federica Pozzi, Julie Arslanoglu, Francesca Galluzzi, Caroline Tokarski, and Reba Snyder. “Mixing, dipping, and fixing: the experimental drawing techniques of Thomas Gainsborough.” Heritage Science 8, no. 1 (2020): 1–14.

Federica Pozzi, Elena Basso, Silvia A. Centeno, Isabelle Duvernois, and Julie Arslanoglu. “A pioneer of acrylic painting: new insights into Carmen Herrera’s studio practice.” Heritage Science 9, no. 1 (2021): 1-20.

Federica Pozzi, Julie Arslanoglu, and Eleonora Nagy. “Alexander Calder’s Half-Circle, Quarter-Circle, and Sphere (1932): a complex history of repainting unraveled. Heritage Science 8, no. 1 (2020): 1-14.

Marc Vermeulen, Diego Tamburini, Emily M.K. Muller, Silvia A. Centeno, Elena Basso, Marco Leona. ‘Integrating high-pressure liquid chromatography mass spectrometry into an analytical protocol for the identification of organic colorants in Japanese woodblock prints.’ Scientific Reports, 2020, 10:20921. https://doi.org/10.1038/s41598-020-77959-2

Xiaoyang Liu, Valeria Di Tullio, Yu-Chung Lin, Vincent De Andrade, Chonghang Zhao, Cheng-Hung Lin, Molly Wagner, Nicholas Zumbulyadis, Cecil Dybowski, Silvia A. Centeno, Yu-Chen Karen Chen-Wiegart. ‘Nano- to microscale three-dimensional morphology relevant to transport properties in reactive porous composite paint films.’ Scientific Reports, 2020, 10:18320. https://doi.org/10.1038/s41598-020-75040-6

Dorothy Mahon and Silvia A. Centeno. “Revealing Madame X.” 150th Anniversary: Conservation Stories. New York: MMA, August 27, 2020, 

Dorothy Mahon, Silvia A. Centeno, Federico Caró, Margaret Iacono, Heike Stege, Andrea Obermeier. ‘Take a Look Behind the Curtain of Johannes Vermeer's Enigmatic Masterpiece.’ Collection Insights. New York: MMA, June 18, 2020.

Isabelle Duvernois and Silvia A. Centeno. “A Face is a Face is a Face: Beneath Picasso’s Gertrude Stein.” 150th Anniversary: Conservation Stories. New York: MMA, 2020. 

Cañamares, Maria Vega; Maria Goretti Mieites-Alonso, Marco Leona. “Fourier transform-Raman and surface-enhanced Raman spectroscopy analysis of safflower red-dyed washi paper: pH study and bands assignment.” Journal of Raman Spectroscopy (2020).

Mahon, Dorothy, Centeno, Silvia A., Iacono, Margaret, Federico Carό, Stege, Heike, Obermeier, Andrea. “Johannes Vermeer’s Mistress and Maid: New Discoveries Cast Light on Changes to the Composition and the Discoloration of Some Paint Passages.” Heritage Science, 2020, 8:30.

Barro, Lisa, Sanderson, Katherine, Silvia A. Centeno, Saunders, Beth. “The Exhibition and Characterization of Seven Salted Paper Prints.” Journal of the American Institute for Conservation, 2020, pp. 1–15. DOI. 10.1080/01971360.2019.1696914

Catalano, Jacklyn, di Tullio, Valeria, Wagner, Molly, Zumbulyadis, Nicholas, Centeno, Silvia A., Dybowski, Cecil. “Review of the Use of NMR Spectroscopy to Investigate Structure, Reactivity, and Dynamics of Lead Soap Formation in Paintings.” Magnetic Resonance in Chemistry, 2020.

Di Tullio, Valeria, Zumbulyadis, Nicholas, Centeno, Silvia A., Catalano, Jacklyn, Wagner, Molly, Dybowski, Cecil. “Water Diffusion and Transport in Oil Paints as Studied by Unilateral NMR and 1H High-Resolution MAS-NMR Spectroscopy.” ChemPhysChem, 2020, 21, 113–119.

Silvia A. Centeno, Mahon, Dorothy, Federico Carò, Lazarte Luna, José Luis. “New light on the use of wood ash residues in the ground preparations of Baroque paintings from Spain, North and South America.” In J. Townsend, E. Kolfin and A. Haack Christensen Eds., Ground Layers in European Painting 1550–1750. Archetype Publications, 2020, 154 pp.

 

2019

Federica Pozzi, Julie Arslanoglu, Anna Cesaratto and Skopek, M., 2019. How do you say “Bocour” in French? The work of Carmen Herrera and acrylic paints in post-war Europe. Journal of Cultural Heritage, 35, pp.209-217

Rogge, Corina E., and Julie Arslanoglu. “Luminescence of coprecipitated titanium white pigments: Implications for dating modern art.” Science advances 5, no. 5 (2019): eaav0679.

Napolitano, Michael P., Maria C. Prieto Conaway, Ping-Chung Kuo, Julie Arslanoglu, and Richard A. Yost. “High resolution/accurate mass tandem MS of isotopically complex cluster ions from the artists’ pigment lead white.” International Journal of Mass Spectrometry 439 (2019): 19–26.

Clara Granzotto, Ken Sutherland, Julie Arslanoglu, and Glenn A. Ferguson, 2019. Discrimination of Acacia gums by MALDI-TOF MS: applications to micro-samples from works of art. Microchemical Journal, 144, pp.229–241.

Shibayama, Nobuko, and Houghteling, Sylvia. “Tools of the Master Dyer: Dye Materials in 17th and 18th Century South Asian Painted Cotton Textiles at The Metropolitan Museum of Art,” The Textile Museum Journal 46 (2019): 10–25.

Adam Osgood, Patrick Kelley, Eric Breitung, Catherine Stephens, Isabella Buscarino, and Megan Creamer. “Long lasting insecticidal netting as a potential form of museum pest control: effectiveness and safety of alphacypermethrin impregnated polyethylene mosquito netting for pest management of clothes moths (tineidae) and carpet beetles (dermestidae).” In Integrated Pest Management (IPM) for Cultural Heritage: proceedings from the 4th International Conference in Stockholm, Sweden, 21–23 May 2019, edited by Lisa Nilsen and Maria Rossipal, (2019), 143–153. Stockholm: Swedish National Heritage Board (Riksantikvarieämbetet).

Catherine H. Stephens, Nancy Britton, Isabella Buscarino, Laura E. Peluso, Julia Carlson, Libby Rosa, and Eric Breitung. “Washing cotton fabrics for use with collections”, AIC News (2019), 44 1, 6–12.

de Lapérouse, Jean-François, Federico Carò, Adriana Rizzo, and Danijela Jovanovic. “Redressing the Past: The Examination and Treatment of an Ancient South Arabian Censer.” In METAL2019, Proceedings of the Interim Meeting of the ICOM-CC Metals Working Group, September 2–6, 2019, Neuchâtel, Switzerland, edited by Claudia Chemello, Laura Brambilla, and Edith Joseph, 306–13. Digital publication: ICOM-CC and HE-ARC-CR, 2019.

de Lapérouse, Jean-François, and Federico Carò. “Aphrodite in Bronze: Casting a Goddess in The World Between Empires.” Now at The Met (blog). The Metropolitan Museum of Art (May 24, 2019).

Parviz Holakooei, Jean-François de Lapérouse, Federico Carò, Stefan Röhrs, Ute Franke, Martina Müller-Wiener, and Ina Reiche. “Non-invasive Scientific Studies on the Provenance and Technology of Early Islamic Ceramics from Afrasiyab and Nishapur.” Journal of Archaeological Science: Reports 24 (2019): 759–72.

Albertson, Gerrit, Centeno, Silvia A., Eaker, Adam. “Margareta Haverman’s A Vase of Flowers: An Innovative Artist Reexamined.” Metropolitan Museum Journal, 2019, 54: 143–159.

Schlather, Andrea E., Gieri, Paul, Robinson, Mike, Centeno, Silvia A., Manjavacas, Alejandro. “Nineteenth Century Nanotechnology: The Plasmonic Properties of Daguerreotypes.” Proceedings of the National Academy of Sciences (PNAS), 2019, 116 (28): 13791–13798.

Mahon, Dorothy, Centeno, Silvia A., Smieska, Louisa. “Cristóbal de Villalpando’s Adoration of the Magi: A Discussion of Artist Technique.” Latin American and Latinx Visual Culture. 2019, 1(2): 113–121.

Catalano, Jacklyn, Murphy, Anna, Yao, Yao, Zumbulyadis, Nicholas, Centeno, Silvia A., Dybowski, Cecil. “Understanding the Dynamics and Structure of Lead Soaps in Oil Paintings using Multinuclear NMR.” In F. Casadio, K. Keune, P. Noble, A. van Loon, E. Hendriks, Centeno, Silvia A and G. Osmond Eds. Metal Soaps in Art-Conservation & Research, Cultural Heritage Science Series, Springer, 2019, pp. 69–84.

Centeno, Silvia A., Kennedy, Nora, W., Romer, Grant B., Schlather, Andrea, and Cervera Xicotencatl, Ariadna. “Un daguerréotype monster.” In Stephen Pinson, ed. Monumental Journey. The Daguerreotypes of Girault de Prangey. The Metropolitan Museum of Art and Yale University Press, New York and London (2019), 112–116.

Schorsch, Deborah, Becker, Lawrence and Carò, Federico. “Enlightened Technology: Casting Divinity in the Gupta Age.” Arts of Asia (2019) 49–2: 131–43.

 

2018

Silverman, Cathy, Rizzo, Adriana, and Carò, Federico. “An Investigation of Eighteenth-Century English Red Japanned Furniture in the Collection of The Metropolitan Museum of Art, New York.” Studies in Conservation (2019), DOI: 10.1080/00393630.2018.1563356.
2018

Catherine H. Stephens, Isabella Buscarino, and Eric Breitung. “Updating the Oddy test: comparison with volatiles identified using chromatographic techniques.” Studies in Conservation (2018), 63, 5425–5427.

Catherine H. Stephens. “Effect of residual sulfur content on the degradation of cellulose acetate.” Journal of the American Institute for Conservation (2018), 57, 221–228.

Lazarte Luna, José, Mahon, Dorothy, Centeno, Silvia A., Carò, Federico, Smieska, Louisa. “Old World, New World: Painting Practices in the Reformed 1686 Painter’s Guild of Mexico City.” AIC Paintings Specialty Group Postprints, 2018, 31, pp. 69–74.

Basso, Elena, Eleonora Destefanis, and Gabriele Ardizio. “The Cluny Priory of Castelletto Cervo (Biella, Italy): archaeometric study of mortars.” Measurements Journal, Volume 118 (March 2018): 330–338.

Bertini, Camilla, Julian Henderson, Sauro Gelichi, Basso, Elena, Maria Pia Riccardi, and Margherita Ferri. “Technological transition in early medieval northern Italy: preliminary data for Comacchio glass.” AIHV Annales du 20e Congrès 2015, in press.

Bezur, A., P. H. O. V. Campos, Centeno, Silvia, I. Duvernois, F.V. Josenhans, P. Londero, A. Gonçalves Magalhães, and C. Schwarz. “Modigliani’s Late Portraits.” Burlington Magazine 160 (2018): 400–407.

Bray Fabrice, Arslanoglu, Julie, Stephanie Devassine, Adriana Rizzo, Chritiane Rolando, Caroline Tokarski. “A robust and sensitive method to identify proteins from cultural heritage samples.” Nature Protocols, submitted April, 2018.

Carò, Federico, Centeno, Silvia, and D. Mahon. “Painting with Recycled Materials: on the morphology of calcite pseudomorphs as evidence of the use of wood ash residues in Baroque paintings.” Heritage Science 6 (2018): 3.

Catalano, Jaclyn, A. Murphy, Y. Yao, N. Zumbulyadis, Centeno, Silvia, and C. Dybowski. “Molecular Dynamics of Palmitic Acid and Lead Palmitate in Cross–linked Linseed Oil Films: Implications from Deuterium Magnetic Resonance for Lead Soap Formation in Traditional Oil Paintings.” Solid State Nuclear Magnetic Resonance 89 (2018): 21–26.

Cesaratto, Anna, Marco Leona, and Federica Pozzi. “The Cultural Meanings of Color: Raman Spectroscopic Studies of Red, Pink and Purple Dyes in Late Edo and Early Meiji Period Prints.” In Raman Spectroscopy in Archaeology and Art History, Vol. 2, edited by Peter Vandenabeele and Howell G. M. Edwards, Royal Society of Chemistry, 2018, under revision.

Dawn, Kriss, Ellen, Howe, Levinson, Judith, Rizzo, Adriana, Carò, Federico, and DeLeonardis, Lisa. “A Material and Technical Study of Paracas Painted Ceramics.” Antiquity (2018) 92–366: 1492–1510.

Granzotto, Clara, Glenn A. Ferguson, Arslanoglu, Julie, Ken Sutherland. “Discrimmination of Acacia gums by MALDI–TOF MS: application to micro–samples from works of art.” Microchemical Journal, under revision November, 2017.

Parviz Holakooei, de Lapérouse, J–F, Rugiadi, M., Carò, Federico. “Early Islamic Pigments at Nishapur, North–Eastern Iran: Studies on the Painted Pieces Preserved at The Metropolitan Museum of Art.” Archaeological and Anthropological Sciences 10 (2018):175–195.

Kennedy, Nora W., Smieska, Louisa, Centeno, Silvia A., and Ruiz-Molina, Marina. “A Hidden Photograph by Julia Margaret Cameron.” Metropolitan Museum Journal (2018) 53: 162.

King, A., I. Duvernois, J. Fronek, J. H. Townsend and Centeno, Silvia. “Modigliani in the South of France.” Burlington Magazine 160 (2018): 394–399.

McMillan, Gillian, and Federica Pozzi. “Édouard Manet: Woman in Striped Dress.” In Thannhauser Collection: French Modernism at the Guggenheim, edited by Megan Fontanella, Guggenheim Museum Publications, New York, 2018: 108–110.

Shibayama, Nobuko, D. Mahon, Centeno, Silvia, and Carò, Federico. “John Singer Sargent’s Mrs. Hugh Hammersley: Colorants and Technical Choices to Depict an Evening Gown.” Metropolitan Museum Journal (2018) 53: 172–179.

Van Dyke, Yana, Silvia A. Centeno, Federico Carò, James H. Frantz, and Mark T. Wypyski. “On the Formation of Hörnesite in a Fatimid Manuscript Folio.” Heritage Science 6(54): 1–9. DOI: 10.1186/s40494-018-0221-2.

 

2017

Bayer, A. and Gallagher, M., with Centeno, Silvia, J. Delaney and E. Read. “Andrea del Sarto’s Borgherini Holy Family and Charity: Two Intertwined Late Works.” Metropolitan Museum Journal 52 (2017): 34–55.

Bayer, A., D. Mahon and Centeno, Silvia. “Examining Paolo Veronese’s Portrait of Alessandro Vittoria.” Metropolitan Museum Journal 52 (2017): 116–127.

Borsch L., Carò, Federico, Wypyski, Mark. “Technical Analysis of the Aldobrandini Tazze.” In: Siemon J. ed, The Silver Caesars: A Renaissance Mystery, The Metropolitan Museum of Art (2017): 158–168.

Britton, Nancy, Ann–Sofie Stjernlöf and Stephens, Catherine. “Digitally Created Katagami Stencils for Printing Textile Infills.” In Embellished fabrics: conserving surface manipulation and decoration 11th biennial North American Textile Conservation Conference held in Mexico City, November 6–11, 2017. Eds. H. Sutcliffe and J. Thompson. 181–195.

Silvia Centeno, C. Hale, Federico Carò, Anna Cesaratto, Nobuko Shibayama, J. Delaney, K. Dooley, G. van der Snickt, K. Janssens, and S. Stein. “Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments.” Heritage Science 5 (2017): 18.

Anna Cesaratto, Silvia Centeno, J. R. Lombardi, Nobuko Shibayama, and Marco Leona. “A complete Raman study of the most common acid red dyes: application to the identification of artistic materials in polychrome prints.” Journal of Raman Spectroscopy 48 (2017): 601–609. 

Chen–Wiegart, Y–ch K, Catalano, Jaclyn, G. Williams, A. Murphy, Y. Yao, N. Zumbulyadis, Centeno, Silvia, C. Dybowski, and J. Thieme. “Elemental and Molecular Segregation in Oil Paintings due to Lead Soap Degradation.” Scientific Reports 7 (2017): 11656.

Duvernois, Isabelle, Arslanoglu, Julie, Centeno, Silvia. “Cut from the Same Cloth: A Technical Comparison of Jackson Pollock’s Pasiphaë and Mural.” Getty Research Journal 9, 61–78, 2017.

Granzotto, Clara, Arslanoglu, Julie, Christiane Rolando, Caroline Tokarski. “Plant gum identification in historic artworks.” Scientific Reports, 7, 44538, 2017.

Granzotto, Clara, Arslanoglu, Julie. “Revealing the binding medium of a Roman Egyptian painted mummy shroud. Journal of Cultural Heritage, 27, 170–174, 2017.

Hale, C. and Centeno, Silvia. “Seurat’s Circus Sideshow: Materials, Technique and Evolution.” In Seurat’s Circus Sideshow. Edited by R. Thomson with contributions from S.A.

Stein, C. Hale and Centeno, Silvia , 112–116. New York and London: The Metropolitan Museum of Art and Yale University Press, 2017.

Parviz Holakooei, Soldi S., de Lapérouse J–F., Carò, Federico. “Glaze Composition of the Iron Age Glazed Ceramics from Nimrud, Hasanlu and Borsippa,” Journal of Archaeological Science: Reports 16, (2017): 224–232.

Kern K., Rosenfield Y., Carò, Federico, Shibayama Nobuko. “The Sacred and the Modern: The History, Conservation, and Science of the Madina Sitara.” The Metropolitan Museum Journal, 52(1) (2017): 72–93.

Kobayashi, T., F. A. Perras, A. Murphy, Y. Yao, Catalano, Jaclyn, Centeno, Silvia, C. Dybowski, N. Zumbulyadis, and M. Pruski. “DNP–Enhanced Ultrawideline 207Pb Solid–State NMR Spectroscopy: An Application to Cultural Heritage Science.” Dalton Transactions 46 (2017): 3535–3540.

Mahon, D. and Centeno, Silvia. “Murillo’s ‘Self Portrait’ of ca. 1650–55.” In Murillo. The Self–Portraits, edited by Xavier Salomon and Letizia Treves,116–120. The Frick Collection and Yale University Press, 2017.

Monahan, A., I. Duvernois, and Centeno, Silvia. “Working My Thought More Perfectly. Horace Pippin’s The Lady of the Lake.” Metropolitan Museum Journal 52 (2017): 94–115.

Napolitano, Michael P., Ping–Chung Kuo, Jodie V. Johnson, Arslanoglu, Julie, Rick A. Yost. “Tandem mass spectrometry of laser–reduced anthraquinones for painted works and dyed cultural artifacts.” International Journal of Mass Spectrometry 421, 14–24, 2017.

Pinna, Daniela, Monica Galeotti, Rizzo, Adriana, Emma Cantisani, Giorgia Sciutto, Martina Zangheri, Silvia Prati, Rocco Mazzeo, and Aldo Roda. “A follow–up on the analytical study of discolouration of the marble statues of Orsanmichele in Florence.” Environmental Science and Pollution Research 24, 1 (2017): 334–352.

Salvant, Johanna, Julie Barten, Francesca Casadio, Maria Kokkori, Pozzi, Federica, Carol Stringari, Ken Sutherland, and Marc Walton. “László Moholy–Nagy’s painting materials: from substance to light.” Leonardo 50, no. 3 (June 2017): 316–320.

Shibayama, Nobuko, Phipps, Elena, Commoner, Lucy, Wypyski, Mark T., and Thoury, Mathieu. “Investigation of Dyed Rabbit Hair in a 16th–17th-Century Colonial Latin American Textile.” The Diversity of Dyes in History and Archaeology, edited by Jo Kirby. London: Archetype Publications (2017): 233–250

Tonkin, Leanne and Rizzo, Adriana. “Manipulation of Early Plastics and the Variable Fabrication of Cellulose Acetate: Assessing Opposite Ends of the Spectrum of Two Identical Belts Designed by Elsa Schiaparelli ca.1938.” In Preprints of the 11th North American Textile Conservation Conference (NATTC), México City, November 6–11, 2017. Edited by Howard Sutcliffe and Joel Thompson, 129–141. ISBN: 0–9746438–7–4

Torok, Elena, Stephens, Catherine, Robin Hodgson, Carol Snow. “Gerasa mosaic treatments at Yale University: an examination of materials used in structural backing systems” In The conservation and presentation of mosaics: at what cost?: proceedings of the 12th ICCM conference, Sardinia, October 27–31, 2014. Edited by J. M. Teutonico, L. Friedman, A. B. Abed, R. Nardi. 285–294. Los Angeles: Getty Conservation Institute, 2017.

Yandrisevits, Marlene April, Londero, Pablo, Carò, Federico, Rizzo, Adriana, and Caterina Cappuccini. “Wavelength–dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor.” Lasers in the Conservation of Artworks XI, Proceedings of LACONA XI, edited by P. Targowski et al., 27–45. Toruń: NCU Press, 2017. DOI: 10.12775/3875–4.02 2017.

 

2016

Barca, Donatella, Basso, Elena, Danilo Bersani, Giuliana Galli, Claudia Invernizzi, Mauro F. La Russa, Pier Paolo Lottici, Marco Malagodi, and Silvestro A. Ruffolo. “Vitreous tesserae from the calidarium mosaics of the Villa dei Quintili, Rome. Chemical composition and production technology.” Microchemical Journal 124 (2016): 726–735.

Bartolozzi, G., M. Picollo, V. Marchiafava, Centeno, Silvia, I. Duvernois, F. Di Girolamo, F. Modugno, J. La Nasa, M. P. Colombini, and A. Rava. “Anselm Kiefer: a study of his artistic materials.” Archaeological and Anthropological Sciences 8:3 (2016): 563–574.

Basso, Elena, Claudia Invernizzi, Marco Malagodi, Mauro F. La Russa, Danilo Bersani, and Pier Paolo Lottici. “Characterization of colorants and opacifiers in roman glass mosaic tesserae through spectroscopic and spectrometric techniques.” Journal of Raman Spectroscopy 45, no. 3 (2014): 238–245.

Bersani, Danilo, Claudia Conti, Pavel Matousek, Pozzi, Federica, and Peter Vandenabeele. “Methodological evolutions in Raman spectroscopy applied to the analysis of art and archaeology.” Analytical Methods 8, no. 48 (October 2016): 8395–8409.

Bronzato, M., A. Zoleo, B. Biondi, and Centeno, Silvia. “An Insight into the Metal Coordination and Spectroscopic Properties of Artistic Fe and Fe/Cu Logwood Inks.” Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 153 (2016): 522–529.

Carò, Federico, Basso, Elena, and Leona, Marco. “The Earth Sciences from the perspective of an art museum.” Elements–Earth Sciences for Cultural Heritage 12, no. 1 (2016): 33–38.

Centeno, Silvia. “Identification of Artistic Materials in Paintings and Drawings by Raman Spectroscopy: Some Challenges and Future Outlook.” Review article. Journal of Raman Spectroscopy 47:1 (2016): 9–15.

Centeno, Silvia, Bronzato, M., P. Ropret, A. Zoleo, A. Venzo, S. Bogialli, and D. Badocco. “Composition and Spectroscopic Properties of Historic Cr Logwood Inks.” Journal of Raman Spectroscopy 47 (2016):1422–1428.

Cesaratto, Anna, Londero, Pablo, Shibayama, Nobuko, John R. Lombardi, and Leona, Marco. “Fourier filtering ultraviolet laser ablation SERS for the analysis of yellow lakes,” Micro Chemical Journal 126C (2016) : 237–24, DOI: 10.1016/j.microc.2015.12.018

Chen–Wiegart, Y–ch., K G. Williams, Ch. Zhao, H. Jiang, L. Li, M. Demkowicz, M. Seita, M. Short, T. Wada, H. Kato, K.W. Chou, S. Petrash, Catalano, Jaclyn, Y. Yao, A. Murphy, N. Zumbulyadis, Centeno, Silvia, C. Dybowski, and J. Thieme. “Early Science Commissioning Results of the Sub–micron Resolution X–ray Spectroscopy Beamline (SRX) in the Field of Materials Science and Engineering.” AIP Conference Proceedings 1764, 030004 (2016).

Luo, Yan Bin, Basso, Elena, Henry D. Smith II, Leona, Marco. “Synthetic arsenic sulfides in Japanese prints of the Meiji period.” Heritage Science 4, no. 17 (2016): 10.1186/s40494–016–0087–0

Mancin, Nicoletta, Basso, Elena, Michael A. Kaminski, and Umran Dogan. “A standard SEM–EDS methodology to determine the test microstructure of fossil agglutinated foraminifera.” Micropaleontology 60, no. 1 (2014): 13–26.

Polkinghorne, M., Douglas J. G., Carò, Federico. “Carving for the King: The Stone Workshop of Bakong Temple, Angkor.” Bulletin de l’École française d’Extrême–Orient (2016): 101, 55–90.

Pozzi, Federica, Arslanoglu, Julie, Carò, Federico, and Carol Stringari. “Conquering space with matter: a technical study of Alberto Burri’s materials and techniques.” Applied Physics A 122, no. 10 (October 2016): 917–932.

Pozzi, Federica and Leona, Marco. “Surface-Enhanced Raman Spectroscopy in Art and Archaeology.” Journal of Raman Spectroscopy 47, no. 1 (January 2016): 67–77.

Pozzi, Federica, Stephanie Zaleski, Francesca Casadio, and Richard P. Van Duyne. “SERS discrimination of closely related molecules: a systematic study of natural red dyes in binary mixtures.” Journal of Physical Chemistry C 120, no. 37 (June 2016): 21017–21026.

PPozzi, Federica, Stephanie Zaleski, Francesca Casadio, Leona, Marco, John R. Lombardi, and Richard P. Van Duyne. “Surface–enhanced Raman spectroscopy: using nanoparticles to detect trace amounts of colorants in works of art.” In Nanoscience and Cultural Heritage, edited by Philippe Dillmann, Ludovic Bellot–Gurlet, Irène Nenner, 161–204, Atlantis Press, 2016.

Rogge, Corinne E., Arslanoglu, Julie, “Distinguishing manufacturing practices for titanium white pigments: New Raman markers for dating commercial oil–based paints.” Studies in Conservation 61, 324–326, 2016.

Sessa, C., L. Barro, Silvia Centeno, H. Bagán, Federico Carò, and J. F. Garcia. “Investigation of the Possible Origins of Sulphur in 19th Century Salted Paper Photographs by X–ray Fluorescence Spectroscopy.” X–ray Spectrometry 45 (2016):176–184.

2015

Basso, Elena. “2.11 Malte. In: Il priorato cluniacense dei Santi Pietro e Paolo a Castelletto Cervo.” Scavi e ricerche 2006–2014. E. Destefanis ed., Firenze, All’Insegna del Giglio, Biblioteca di Archeologia Medievale 23 (2016): 395–404.

Catalano, Jaclyn, A. Murphy, Y. Yao, G. P. N. Yap, N. Zumbulyadis, Centeno, Silvia, and C. Dybowski. “Coordination Geometry of Lead Carboxylates–Spectroscopic and Crystallographic Evidence.” Journal of the Chemical Society, Dalton Transactions 44 (2015): 2340–2347.

Clarke, M.L., C. McCabe, C.A. Maines, Centeno, Silvia, L. Barro, and A. Vila. “An Investigation into Japine Platinum Photographs: William Willis’s Proprietary Paper.” Journal of the American Institute for Conservation 54 (4) (2015): 213–223.

LaGamma, Alisa, with contributions by Josiah Blackmore, Christine Giuntini, James Green, Ellen G. Howe, Phyllis M. Martin, Adriana Rizzo, John K. Thornton, and Kristen Windmuller–Luna. Kongo: Power and Majesty. New York: The Metropolitan Museum of Art, 2015.

Lee, Hae Young, Natalya Atlasevich, Granzotto, Clara, Schultz, Julia, John Loike, Arslanoglu, Julie. “Development and application of an ELISA method for the analysis of protein–based binding media of artworks.” Analytical Methods 7, 187–196, 2015. http://dx.doi.org/10.1039/C4AY01919A.

Mancin, Nicoletta, Basso, Elena, Claudia Lupi, Miriam Cobianchi, and Bruce W. Hayward. “The agglutinated foraminifera from the SW Pacific bathyal sediments of the last 550 kyr: relationship with the deposition of tephra layers.” Marine Micropaleontology 115 (2015): 39–58.

Marquis, E. A., Y. Chen, J. Kohanek, Y. Dong, and Centeno, Silvia. “Exposing the Sub–surface of Historical Daguerreotypes and the Effects of Sulfur–induced Corrosion.” Corrosion Science 94 (2015): 438–444.

Nobuko Shibayama, Mark T. Wypyski, and Elisa Gagliardi-Mangilli. “Analysis of natural dyes and metal threads used in 16th–18th-century Persian/Safavid and Indian/Mughal velvets by HPLC-PDA and SEM-EDS to investigate the system to differentiate velvets of these two cultures,” Heritage Science, 3:12 (2015), DOI: 10.1186/s40494-015-0037-2.

Pinna, Daniela, Monica Galeotti and Rizzo, Adriana. “Brownish alterations on the marble statues in the church of Orsanmichele in Florence: what is their origin?” Heritage Science 3, 1, (2015): 1–13.

Perets, Ethan A., A. S. D. S. Indrasekara, Alexis Kurmis, Natalya Atlasevich, Fabris, Laura, Arslanoglu, Julie. “Carboxy–Terminated Immuno–SERS Tags Overcome Non–Specific Aggregation for the Robust Detection and Localization of Organic Media in Artworks.” Analyst (2015). doi:10.1039/C5AN00817D.

Rambaldi, Diana C., Pozzi, Federica, Shibayama, Nobuko, Leona, Marco, and Frank Preusser. “Surface–enhanced Raman spectroscopy of various madder species on wool fibers: the role of pseudopurpurin in the interpretation of the spectra.” Journal of Raman Spectroscopy 46, no. 11 (November 2015): 1073–1081.

Ramig, Keith, Olga Lavinda, David J. Szalda, Irina Mironova, Sasan Karimi, Pozzi, Federica, Nilam C. Shah, Jacopo Samson, Hiroko Ajiki, Lou Massa, Dimitrios Mantzouris, Ioannis Karapanagiotis, and Christopher Cooksey. “The nature of thermochromic effects in dyeings with indigo, 6–bromoindigo, and 6,6’–dibromoindigo, components of Tyrian purple.” Dyes and Pigments 117 (June 2015): 37–48.

Ren, Fang, Natalya Atlasevich, Brian Baade, John Loike, Arslanoglu, Julie. “Influence of pigments and protein aging on protein identification in historically representative casein–based paints using enzyme–linked immunosorbent assay.” Analytical and Bioanalytical Chemistry, 1–13, (2015), doi:10.1007/s00216–015–9089–0.

Tomasini, E.P., C.M. Favier Dubois, N. C. Little, Centeno, Silvia, and M. S. Maier. “Identification of pyroxene minerals used as black pigments in painted human bones excavated in Northern Patagonia by Raman Spectroscopy and XRD.” Microchemical Journal 121 (2015): 157–162.

Vila, Ana, Centeno, Silvia, L. Barro and N.W. Kennedy. “Unveiling the Sources of Chromium in Pictorialist Photographs: Gum Dichromate Process and/or Paper Sizing?” Hand Papermaking 30:2 (2015): 24–28.

 

2014

Carò, Federico, Chiostrini, G., Cleland, E., Shibayama, Nobuko. “Redeeming Pieter Coecke van Aelst’s Gluttony Tapestry: Learning from Scientific Analysis,” The Metropolitan Museum Journal 49 (2014): 151–64.

Carò, Federico, Douglas, J. “Stone Types and Sculptural Practices in Pre–Angkorian Southeast Asia.” In Lost Kingdoms. Hindu–Buddhist Sculpture of Early Southeast Asia. John Guy (ed.), Yale University Press, New Haven and London (2014): 265–266.

Carò, Federico, Polkinghorne, M., Douglas J. G. “Stone Materials Used for Lintels and Decorative Elements of Khmer Temples.” Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 51–68.

Castro, Rita, Pozzi, Federica, Leona, Marco, and Maria João Melo. “Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations.” Journal of Raman Spectroscopy 45, no. 11–12 (November–December 2014): 1172–1179.

Catalano, Jaclyn, Y. Yao, A. Murphy, N. Zumbulyadis, Centeno, Silvia, and C. Dybowski. “Understanding Soap Formation in Paint Films by 207Pb, 119Sn and 13C solid–state NMR.” Proceedings of the Materials Science & Technology 2014 Conference, Pittsburgh, PA, USA, October 12–16, 2014, 2161–2168.

Catalano, Jaclyn, Y. Yao, A. Murphy, N. Zumbulyadis, Centeno, Silvia, and C. Dybowski. “Analysis of Lead Carboxylates and Lead–containing Pigments in Oil Paintings by Solid–State Nuclear Magnetic Resonance.” In P. B. Vandiver, W. Li, P. Sciau and C. Maines (eds.) Materials Issues in Art and Archaeology X, MRS Fall Meeting 2013 Symp. Proceedings Vol. 1656, Warrendale, PA, 2014.

Catalano, Jaclyn, A. Murphy, Y. Yao, F. Alkan, N. Zumbulyadis, Centeno, Silvia, and C. Dybowski. “207Pb and 119Sn Solid–State NMR and Relativistic DFT Studies of the Historic Pigment Lead–Tin Yellow Type I and its Reactivity in Oil Paintings.” Journal of Physical Chemistry A 118 (2014): 7952–7958.

Centeno, Silvia, A. Vila, and L. Barro. “Characterization of Unprocessed Historic Platinum Photographic Papers by Raman, FTIR and XRF.” Microchemical Journal 114 (2014): 8–15.

Catalano, Jaclyn, Y. Yao, A. Murphy, N. Zumbulyadis, Centeno, Silvia, and C. Dybowski. “NMR Spectra and 207Pb Chemical–Shift Tensors of Lead Carboxylates Relevant to Soap Formation in Oil Paintings.” Applied Spectroscopy 68:3 (2014): 280–286.

Kennedy, N. W. and Centeno, Silvia. “Research and Practice: Using Scientific Investigation to Inform Daguerreotype Care.” The Daguerreian Society Quarterly (April–June 2014): 8–10.

Nobuko Shibayama. “Analysis of Natural Dyes in Armenia by High Performance Liquid Chromatography-Photo Diode Array Detector (HPLC-PDA).” International Collaboration in Preservation of Cultural Heritage between Japan and Armenia: Conservation of Historic Textiles in Museum, edited by Mie Ishii, 119–123. Tokyo: Japan Foundation, 2014.

Pozzi, Federica, Lauren K. Chang, and Francesca Casadio. “The Navajo blankets from the Art Institute of Chicago collection: technical analysis of yarn and weavings coupled with dye identification by normal Raman and surface–enhanced Raman spectroscopy (SERS).” In ICOM–CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014, ed. J. Bridgland, art. 1808, 8 pp. Paris: International Council of Museums (ISBN 978–92–9012–410–8).

Pozzi, Federica, Klaas Jan van den Berg, and Francesca Casadio. “A systematic analysis of red lake pigments in French Impressionist and Post–Impressionist paintings by surface–enhanced Raman spectroscopy (SERS).” Journal of Raman Spectroscopy 45, no. 11–12 (November–December 2014): 1119–1126.

Platania, Elena, John R. Lambardi, Marco Leona, Nobuko Shibayama, Cristina Lofrumento, Marilena Ricci, Maurizio Becucci, and Emilio Castelucci, “Suitability of Ag-agar gel for the micro-extraction of organic dyes on different substrates: the case study of wool, silk, printed cotton and a panel painting mock-up.” Journal of Raman Spectroscopy 45:11–12 (2014):1133–1139, DOI: org/10.1002/jrs.4531.

Rizzo, Adriana, Mechthild Baumeister, Beth Edelstein, Arianna Gambirasi, and Anke Scharrahs, with contributions by Julia Schultz and Daniel P. Kirby. “A Rediscovered Opulence: The Surface Decoration of an Early 18th-Century Damascene Reception Room at The Metropolitan Museum of Art.” In Architectural Paint Research: Sharing Information, Sharing Decisions, edited by Rachel Faulding and Sue Thomas, 117–31. London: Archetype Books, 2014.

Roldán, Maria L., Centeno, Silvia, and Adriana Rizzo. “An Improved Methodology for the Characterization and Identification of Sepia in Works of Art by Normal Raman and SERS, complemented by FTIR, Py–GCMS and XRF.” Journal of Raman Spectroscopy 45 (2014): 1160–1171.

Roldán, Maria L., Centeno, Silvia, A. Rizzo, and Y. van Dyke. “Characterization of Bistre Samples by FTIR, SERS, Py–GCMS and XRF.” In Materials Issues in Art and Archaeology X, MRS Fall Meeting 2013 Symposium. Proceedings Vol. 1656. Edited by P.B. Vandiver, W. Li, P. Sciau and C. Maines. Warrendale, PA, 2014.

Serotta, A., Carò, Federico. “Evidence for the Use of Corundum Abrasive in Egypt from the Great Aten Temple at Amarna.” Horizon 14 (2014): 2–4.

Thomas, K. and Centeno, Silvia. “The Retable of Saint Anne with Virgin and Child at The Cloisters: Insights into Fifteenth Century Working Practices in the Crown of Aragon.” Metropolitan Museum Studies in Art, Science & Technology 2 (2014): 69–91.

Vila, A., Centeno, Silvia, and N. W. Kennedy. “A Closer Look at Two Red Pictorialist Photographs by Demachy and Le Bègue.” Metropolitan Museum Studies in Art, Science & and Technology 2 (2014):167–172.

 

2013

Arslanoglu, Julie, Centeno, Silvia, I. Duvernois, and S. Digney-Peer. “Picasso in The Metropolitan Museum of Art: An Investigation of Materials and Techniques.” Journal of the American Institute for Conservation (JAIC) 52:3 (2013): 140–155.

Bayer, A., M. Gallagher, and Centeno, Silvia. “Jacopo Bassano’s Baptism of Christ.” In Art in 16th-Century Venice: Context, Practices, Developments. Proceedings of a Conference in Honor of Peter Humfrey (University of St Andrews, May 3–6 2012), Part Two. Artibus et Historiae 68: 34 (2013): 83–103.

Carò, Federico, Douglas, J. “Nature and provenance of the sandstone used for Bayon style sculptures produced during the reign of Jayavarman VII.” Journal of Archaeological Science 40 (2013): 723–734.

Hodgkins, R. E., Centeno, Silvia, J. A. Bamberger, M. Tsukada, and A. Schrott. “Silver Nanofilm Sensors for Assessing Daguerreotype Housing Materials in an Oddy Test Setup.” ePreservation Science (e–PS) 10 (2013): 71–76.

Lavinda, Olga, Irina Mironova, Sasan Karimi, Pozzi, Federica, Jacopo Samson, Hiroko Ajiki, Lou Massa, and Keith Ramig. “Singular thermochromic effects in dyeings with indigo, 6–bromoindigo, and 6,6’–dibromoindigo.” Dyes and Pigments 96, no. 2 (February 2013): 581–589.

Malagodi, Marco, Basso, Elena, Rosaria Avagliano, and Maurizio Licchelli. “Surface coating on Bertesi’s wooden bas–relief (17th century).” Surface Engineering 29, no. 2 (2013): 107–113.

McCabe, C., M. L. Clarke, C. A. Maines, L. Barro, Centeno, Silvia and A. Vila. “An Initial Investigation into Japine: William Willis’s Proprietary Paper.” Topics in Photographic Preservation 15 (2013): 27–33.

Patris, Pascale, and Adriana Rizzo. “An Unfolding Tale: The Making and Transformation of the Golden Harpsichord.” The Journal of American Musical Instrument Society 39 (2013): 62–88.

Pozzi, Federica, John R. Lombardi, and Leona, Marco. “Winsor & Newton original handbooks: a surface–enhanced Raman scattering (SERS) and Raman spectral database of dyes from modern watercolor pigments.” Heritage Science 1, no. 23 (December 2013): 1–8.

Pozzi, Federica, Shibayama, Nobuko, Leona, Marco, and John R. Lombardi. “TLC–SERS study of Syrian rue (Peganum harmala) and its main alkaloid constituents.” Journal of Raman Spectroscopy 44, no. 1 (January 2013): 102–107.

Pozzi, Federica, Simone Porcinai, John R. Lombardi, and Leona, Marco. “Development of searchable databases for the identification of natural and synthetic dyes in works of art using surface–enhanced Raman spectroscopy (SERS).” Analytical Methods 5, no. 16 (July 2013): 4205–4212.

Stephens, Catherine, P. M. Whitmore. “Comparison of the degradation behavior of cotton, linen, and kozo papers” Cellulose 20 (2013): 1099–1108.

Tolles T. with technical notes by Borsch L. and Carò, Federico, “Abraham Lincoln: The Man (Standing Lincoln): A Bronze Statuette by Augustus Saint–Gaudens.” The Metropolitan Museum Journal 48 (2013): 223–237.

Williams, Amy B., Stephens, Catherine. “Artificial aging of paper–based cores wrapped in various isolating layers for use as archival storage supports.” Research and Technical Studies Postprints 4 (2013): 105–134.

 

2012

Ajiki, Hiroko, Pozzi, Federica, Lulu Huang, Lou Massa, Leona, Marco, and John R. Lombardi. “Raman spectrum of monobromoindigo.” Journal of Raman Spectroscopy 43, no. 4 (April 2012): 520–525.

Carò, Federico, Guy, J., Im, S. “The stone quarries of Koh Ker (Preah Vihear Province, Cambodia): Comparison with Koh Ker style sculptures and lintels.” In Connecting Empires and States. Selected papers from the 13th International Conference of the European Association of Southeast Asian Archaeologists 2, M.L. Tjoa–Bonatz, A. Reinecke, and D. Bonatz (eds.), NUS Press, (2012): 290–305.

Carò, Federico, Sokrithy IM. “Khmer sandstone quarries of Kulen Mountain and Koh Ker: a petrographic and geochemical study.” Journal of Archaeological Science 39 (2012): 1455–1466.

Centeno, S. A., V. I. Williams, N. C. Little, and R. J. Speakman. “Characterization of surface decorations in Prehispanic archaeological ceramics by Raman spectroscopy, FTIR, XRD and XRF.” Vibrational Spectroscopy 58 (2012):119–124

Del Federico, E., Centeno, Silvia, C. Kehlet, K. Ulrich, A.Yamazaki-Kleps, and A. Jerschow. “In–situ unilateral 1H–NMR Studies of the Interaction between Lead White Pigment and Collagen–Based Binders.” Applied Magnetic Resonance 42:3 (2012): 363–376.

Mancin, Nicoletta, Basso, Elena, Camilla Pirini, and Michael A. Kaminski. “Selective mineral composition, functional test morphology and paleoecology of the agglutinated foraminiferal genus Colominella Popescu, 1998 in the Mediterranean Pliocene (Liguria, Italy).” Geologica Carpathica 63, no. 6 (2012): 491–502.

Pozzi, Federica, John R. Lombardi, Silvia Bruni, and Leona, Marco. “Sample treatment considerations in the analysis of organic colorants by surface–enhanced Raman scattering.” Analytical Chemistry 84, no. 8 (April 2012): 3751–3757.

Pozzi, Federica, Gianluca Poldi, Silvia Bruni, Eleonora De Luca, and Vittoria Guglielmi. “Multi–technique characterization of dyes in ancient Kaitag textiles from Caucasus.” Archaeological and Anthropological Sciences 4, no. 3 (September 2012): 185–197.

Ropret, P., C. Miliani, and Centeno, Silvia. “Raman mapping in the scientific investigations of works of art.” In Zoubir A. (ed.) Raman Imaging, Springer Berlin/Heidelberg 168 (2012): 189–217.

Sahmel, Katherine, Laura Mina, Ken Sutherland, and Nobuko Shibayama, “Removing Dye Bleed from a Sampler: New Methods for an Old Problem,” AIC Textile Group Postprints 22 (2012): 78–90.

Masahiko Tsukada, Adriana Rizzo, and Clara Granzotto. “A new strategy for assessing off–gassing from museum materials: air sampling in Oddy test vessels.” AIC news 37, 1 (2012): 1, 3–7.

Ulrich, Konstantin, Centeno, Silvia, Arslanoglu, Julie, Eleanora Del Federico. “Absorption and diffusion measurements of water in acrylic paint films by single–sided NMR.” Progress in Organic Coatings, 2011, POC–D–10–00373R1.

Vila, Ana, Centeno, Silvia, L. Barro, and N.W. Kennedy. “Understanding the Gum Dichromate Process in Pictorialist Photographs: A Literature Review and Technical Study.” Studies in Conservation 58:3 (2013): 176–188.

Vila Ana and Centeno, Silvia. “FTIR, Raman and XRF Identification of the Image Materials in Turn of the 20th Century Pigment-Based Photographs.” Microchemical Journal 106 (2013): 255–262.

 

2011

Arslanoglu, Julie, Stephanie Zaleski, John Loike. “An improved method of protein localization in artworks through SERS complexed antibodies.” Analytical and Bioanalytical Chemistry, Mar; 399(9):2997–3010, 2011, DOI: 10.1007/s00216–010–4378–0, 2010 Nov 16.

Bruni, Silvia, De Luca, Eleonora, Guglielmi, Vittoria, and Pozzi, Federica. “Identification of natural dyes on laboratory–dyed wool and ancient wool, silk, and cotton fibers using attenuated total reflection (ATR) Fourier transform infrared (FT–IR) spectroscopy and Fourier transform Raman spectroscopy.” Applied Spectroscopy 65, no. 9 (September 2011): 1017–1023.

Bruni, Silvia, Guglielmi, Vittoria, and Pozzi, Federica. “Historical organic dyes: a surface–enhanced Raman spectral (SERS) database on Ag Lee–Meisel colloids aggregated by NaClO4.” Journal of Raman Spectroscopy 42, no. 6 (June 2011): 1267–1281.

Bruni, Silvia, Vittoria Guglielmi, Pozzi, Federica, and Anna Maria Mercuri. “Surface–enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes. Part II: pomegranate and sumac.” Journal of Raman Spectroscopy 42, no. 3 (March 2011): 465–473.

Centeno, Silvia, F. Schulte, N.W. Kennedy, and A. G. Schrott. “The Formation of Chlorine–induced Alterations in Daguerreotype Image Particles: a High Resolution SEM–EDS Study.” Applied Physics A 105: 1 (2011): 53–63.

Hale, Charlotte, Arslanoglu, Julie, Silvia A. Centeno. “Granacci in The Metropolitan Museum of Art: Aspects of Evolving Workshop Practice.” In Studying Old Master Paintings: Technology and Practice: The National Gallery Technical Bulletin, 30th Anniversary Conference Postprints. Ed. M. Spring, London, 2011, pp. 59–64.

Kirby, Daniel, Narayan Khandekar, Arslanoglu, Julie, Ken Sutherland. “Protein Identification in Artworks by Peptide Mass Fingerprinting.” In Preprints for the International Counsel of Museums–Committee for Conservation 16th triennial conference in Lisbon, September 19–23, 2011.

Rizzo, Adriana, Nobuko Shibayama, and Dan P Kirby. “A multi–analytical approach for the identification of aloe as a colorant in oil–resin varnishes.” Analytical and Bioanalytical Chemistry 399 (2011): 3093–3107.

Ulrich, K., Centeno, Silvia, Arslanoglu, Julie, and E. Del Federico. “Absorption and diffusion measurements of water in acrylic paint films by single–sided NMR.” Progress in Organic Coatings 71, no. 3 (2011): 283–289.

West Fitzhugh, Elisabeth, Marco Leona, and Nobuko Shibayama, 2011, “Pigments in a paint box belonging to Whistler in the Library of Congress,” Studies in Conservation 56:2 (2011): 115–124. 

2010

Arslanoglu, Julie, Schultz, Julia, John Loike, J., Katherine Petersen. “Immunology and art: Using antibody–based techniques to identify proteins and gums in artworks.” Journal of Biosciences 35(1), 3–10, March 2010.

Baumeister, Mechthild, Beth Edelstein, Adriana Rizzo, Arianna Gambirasi, Timothy Hayes, Roos Keppler, and Julia Schultz. “A Splendid Welcome to the ‘House of Praises, Glorious Deeds and Magnanimity.’” In Conservation and the Eastern Mediterranean. International Institute for Conservation of Historic and Artistic Works (IIC), Contributions to the Istanbul Congress, 20–24 September 2010, edited by Christina Rozeik, Ashok Roy, and David Saunders, 126–33. London: International Institute for Conservation of Historic and Artistic Works, 2010.

Solano, Serena, Basso, Elena, and Maria Pia Riccardi. “Studio archeologico e petro–archeometrico delle teglie con prese a linguetta (Lappenbecken) nell’arco alpino centro–orientale.” LRCW3 Late Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean: Archaeology and archaeometry. Comparison between western and eastern Mediterranean. Volume II. S. Menchelli, S. Santoro, M. Pasquinucci, G. Guiducci ed., BAR International Series 2185, no. II (2010): 539–547.

Stephens, Catherine H., B. Shrestha, H. R. Morris, M. E. Bier, P. M. Whitmore, A. Vertes. “Monitoring cellulose degradation with desorption electrospray ionization– and laser ablation electrospray ionization– mass spectrometry” Analyst 135 (2010): 2434–2444.

Strahan, Donna, Adriana Rizzo, Wong Y. Ng, and Arianna Gambirasi. “Appendix E: Polychrome decoration on Chinese Sculpture.” In Patry Leidy, D. and Strahan, D. Wisdom Embodied. Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art (2010), 208–215. New York: The Metropolitan Museum of Art.

Basso, Elena, Elisa Conz, Pietro Galinetto, and Maria Pia Riccardi. “Studio dell’alterazione cromatica di materiali lapidei storici nell’area cittadina di Aosta: un approccio multi analitico.” Bollettino della Soprintendenza per i beni e le attività culturali 7 (2010): 18–20.

Basso, Elena, Carò, Federico, Marianna Belvedere, Bruno Messiga, and Maria Pia Riccardi. “Percorsi di cultura materiale: la pietra dell’Oltrepò pavese e i manufatti artistici della città di Pavia.” In S. Luraghi and A. Zucchella (eds.), Conference proceedings of Integrare e valorizzare il patrimonio culturale, Pavia University Press (2010): 137–146.

Basso, Elena. “The pottery of Southern Cappadocia: preliminary petrographic analyses of sherds from Northern Tyanitis.” In M. E. Balza–L. d’Alfonso–C. Mora (eds.), Geo–Archaeological Activities in Southern Cappadocia, Studia Mediterranea 22, Italian University Press, Pavia (2010): 71–80.

Bruni, Silvia, Vittoria Guglielmi, and Pozzi, Federica. “Surface–enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes: Tyrian purple and madder.” Journal of Raman Spectroscopy 41, no. 2 (February 2010): 175–180.

Bruni, Silvia, Eleonora De Luca, Vittoria Guglielmi, Gianluca Poldi, and Pozzi, Federica. “Colour in Kaitags. A new scientific approach to detecting dyes in textiles." In C. Scaramuzza, Kaitag. Arte per la vita, 120–147, Milano: Silvana Editoriale, 2010.

Carò, Federico. “Petrographic and Mineralogical Analysis of the Casting Core of the Bronze Buddha Maitreya.” Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 155–161.

Carò, Federico, Douglas J., Im, S. “Towards a quantitative petrographic database of Khmer stone materials–Koh Ker style sculptures.” Archaeometry 52–2 (2010): 191–208.
Centeno, S. A., P. Ropret, E. Del Federico, J. Shamir, B. Itin, and A. Jerschow “Characterization of Al (III) complexes with hematein in artistic alum logwood inks.” Journal of Raman Spectroscopy 41 (2010): 445–451.

Charola, A.E., Centeno, Silvia, and K. Normandin. “The New York Public Library: Protective Treatment for Sugaring Marble.” Journal of Architectural Conservation 16, no. 2 (2010): 29–44.

Del Federico, E., Centeno, Silvia, C. Kehlet, P. Currier, D. Stockman and A. Jerschow. “Unilateral NMR applied to the Conservation of Works of Art.” Analytical and Bionanalytical Chemistry 396 (2010): 213–220.

Doherty, Tiarna, Alan Phenix, Anna Schönemann, Adriana Rizzo.“Oudry’s Painted Menagerie. A technical study of selected works from a series of animal portraits by Jean–Baptiste Oudry with reference to the artist’s lectures on painting technique to the French Royal Academy.” In Study And Serendipity: Testimonies Of Artists’ Practice. Proceedings of ICOM–CC Art Technological Source Research (ATSR) Working Group, 3rd International Symposium, 12–13 June 2008, Glasgow University, UK. Edited by E. Hermes and J. Townsend. London: Archetype Press, 2010.

Domingo Gimeno, Meritxell Aulinas, Flavia Bazzocchi, Jose–Luis Fernandez–Turiel, Maite Garcia–Valles, Daniela Novembre, Basso, Elena, Bruno Messiga, Maria Pia Riccardi, Camillo Tarozzi, and Marja Mendera. “Caracterización química de la vidriera del rosetón del Duomo de Siena (Italia), realizada en 1288 bajo diseño del artista Duccio di Buoninsegna.” Boletín de la Sociedad Española de Cerámica y Vidrio 49, no. 3 (2010): 205–213.

Douglas J., Carò, Federico, Fisher C. “Evidence of sandstone usage for sculpture during the Khmer Empire in Cambodia through petrographic analysis.” UDAYA–Journal of Khmer Studies 9 (2010): 1–18.

Kargère, Lucretia, and Adriana Rizzo. “Twelfth–Century French Polychrome Sculpture in The Metropolitan Museum of Art: Materials and Techniques.” Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 39–72.

Knauer, Karl U., Elizabeth Nunan, Judith Levinson, Adriana Rizzo, Chris W. Petersen, Jennifer Mass, Katherine A. Paul. “Organic coatings found on Tibetan Buddhist gilt copper alloy statuary at the American Museum of Natural History.” Proceedings of the ICOM–CC Metal 2010 Conference, Charleston South Carolina, USA, 11–15 October, 2010. Edited by Paul Mardikian, Claudia Chemello, Christopher Watters and Peter Hull, 217–224. Clemson: Clemson University.

Mahon, D., Centeno, Silvia, Wypyski, Mark, X. F. Salomon and A. Bayer. “Technical Study of Three Allegorical Paintings by Paolo Veronese: The Choice between Virtue and Vice, Wisdom and Strength and Venus and Mars United by Love.” Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 83–108.

Phipps, Elena and Nobuko Shibayama. “Tracing cochineal through the collection of the Metropolitan Museum.” In Textile Society America 12th Biennial Symposium Proceedings, UNL Digital Commons, 2010.

Ropret, P., C. Miliani, Centeno, Silvia, Tavzes, Črtomir, and F. Rosi. “Advances in Raman Mapping of Works of Art.” Journal of Raman Spectroscopy 41 (2010): 1172–1177.
Schultz, Julia, Arslanoglu, Julie, Katherine Petersen. “The Use of ELISA for the Identification of Proteins and Gums using the example of a Syrian Reception Room.” In the preprints for the International Institute for Conservation of Historic and Artistic Works biannual conference on Conservation and Eastern Mediterranean in September in Istanbul, 2010.

 

2009

Schultz, Julia, Arslanoglu, Julie, Tavzes, Črtomir, Katherine Petersen. “Immunological techniques: a different approach to the analysis of proteins in cultural heritage. Part I: The basics explained.” Zeitschrift für Kunsttechnologie und Konservierung 23(1), 129–139, 2009.

Carò, Federico. “Khmer Stone Sculptures: A Collection Seen from a Material Point of View.” The Metropolitan Museum of Art Bulletin. Summer 2009. Volume LXVII, Number 1 (2009): 26–32.

Arslanoglu, Julie, Schultz, Julia. “Immunology and art: Using antibody–based techniques to identify proteins and gums in binding media and adhesives.” The Metropolitan Museum of Art Bulletin, The Metropolitan Museum of Art, Summer, 40–45, 2009.

Carò, Federico, RiccardiI M. P., Mazzilli Savini M. T. “Characterization of plasters and mortars as a tool in archaeological studies: the case of Lardirago castle in Pavia, Northern Italy.” Archaeometry 50/1 (2009): 85–100.

Brostoff, L. B., Centeno, Silvia A., P. Ropret, P. Bythrow, and F. Pottier. “Combined XRD and Raman identification of synthetic organic pigments in works of art: from powder samples to artists’ paints.” Analytical Chemistry 81 (2009): 6096–6106.

Centeno, Silvia and D. Mahon. “The Chemistry of Aging in Oil Paintings: Metal Soaps and Visual Changes.” The Metropolitan Museum of Art Bulletin (Summer 2009):12–19.

 

2008

Centeno, Silvia A. and J. Shamir. “Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art.” Journal of Molecular Structure 873 (2008): 149–159.

Ropret, P., Centeno, Silvia, and P. Bukovec. “Raman Identification of Yellow Synthetic Organic Pigments in Modern and Contemporary Paintings: Reference Spectra and Case Studies.” Spectrochimica Acta Part A 69 (2008): 486–497.

Centeno, Silvia A., T. Meller, N. Kennedy, and Mark Wypyski. “The daguerreotype surface as a SERS substrate: characterization of image deterioration in plates from the nineteenth–century studio of Southworth & Hawes.” Journal of Raman Spectroscopy 39 (2008): 914–921.

 

2007

Carò, Federico and Di Giulio A. “Rock petrophysics v. performances of protective and consolidation treatments: the case of Mt. Arzolo Sandstone.” In Přikryl R. & Smith, B.J. (eds), Building Stone Decay: From Diagnosis to Conservation, Geological Society, London, Special Publications 271, (2007): 287–294.

Marcelino V., Cnudde V., Vansteelandt S., and Carò, Federico. “An evaluation of 2D–image analysis techniques for measuring soil micro–porosity.” European Journal of Soil Science 58, (2007): 133–140.

Riccardi, M. P., Lezzerini, M, Carò, Federico, Franzini, M., Messiga, B. “Microtextural and microchemical studies of hydraulic ancient mortars: two analytical approaches to understand pre–industrial technology processes.” Journal of Cultural Heritage 8/4 (2007): 350–360.