Met Exhibition to Explore How Black Artists Have Engaged with Ancient Egypt Over the Last 150 Years
November 17, 2024–February 17, 2025
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Perino del Vaga (Pietro Buonaccorsi, 1501-1547), a pupil of Raphael, was a leading innovator of the late Renaissance style known as Mannerism, and one of the most influential Italian artists of the 16th century. The Metropolitan Museum of Art recently acquired a painting and a drawing by the master, and they will both be featured in Perino del Vaga in New York Collections, on view from September 27, 2011, through February 5, 2012. The new acquisitions will be seen alongside some 18 drawings by the artist from the Metropolitan Museum, the Morgan Library & Museum, and private collections, as well as a second painting from a New York private collection.
The Metropolitan Museum of Art holds the most important collection of paintings in America by the celebrated Dutch artist Frans Hals (1582/83-1666), whose portraits and genre scenes were famous in his lifetime for their immediacy and dazzling brushwork. Frans Hals in the Metropolitan Museum—on view from July 26, through October 10, 2011—presents 13 paintings by Hals, including two lent from private collections, and several works by other Netherlandish masters.
Devi, the Indian goddess, is the omnipresent embodiment of power and wisdom given expression in all of India’s ancient religions. From the beginnings of figurative representation in early India, she has been the frequent subject of sculpture and a favored subject in later devotional painting. Mother India: The Goddess in Indian Painting, to be presented at The Metropolitan Museum of Art from June 29 through November 27, 2011, will feature 40 works from the Museum’s collection that depict Devi in all her various aspects. Perhaps the most widely worshipped deity in all India, Devi stands alongside Shiva and Vishnu in the first rank of the Hindu, Buddhist, and Jain pantheons.
The spring 2011 Costume Institute exhibition at The Metropolitan Museum of Art, Alexander McQueen: Savage Beauty, is on view May 4 through August 7 (new, extended closing date). The exhibition celebrates the late Mr. McQueen's extraordinary contributions to fashion. From his Central Saint Martins postgraduate collection in 1992 to his final runway presentation, which took place after his death in February 2010, Mr. McQueen challenged and expanded our understanding of fashion beyond utility to a conceptual expression of culture, politics, and identity.
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Pastel quite suddenly became popular throughout Europe in the 18th century, so much so that, by 1750, some 2,500 artists and amateurs were working in pastel in Paris alone. Portraits in pastel were commissioned by all ranks of society, but most enthusiastically by the royal families, their courtiers, and the wealthy middle classes. Although pastel is a drawing material, 18th-century pastel portraits are often highly finished, quite large, brightly colored, and elaborately framed, evoking oil paintings, the medium to which they were invariably compared. The powdery pastel crayons are particularly suited to capturing the fleeting expressions that characterize the most life-like portraits.
Sculptures by Anthony Caro (b. 1924)—who is considered the most influential and prolific British sculptor of his generation, and a key figure in the development of modernist sculpture over the last 60 years—will be featured in The Metropolitan Museum of Art's 2011 installation on The Iris and B. Gerald Cantor Roof Garden, opening April 26. The installation will include a selection of sculpture in steel, painted and unpainted, spanning the artist's career to date and highlighting principal aspects of his long career: engagement with form in space, dialogue between sculpture and architecture, and creation of new, abstract analogies for the human figure and landscape.
A special loan exhibition focusing on the dynamic art of buncheong ceramics will go on view at The Metropolitan Museum of Art on April 7. Featuring more than 60 masterpieces from the renowned collection of Leeum, Samsung Museum of Art in Seoul, Korea—the majority of which have never before been seen in the U.S.—Poetry in Clay: Korean Buncheong Ceramics from Leeum, Samsung Museum of Art will explore the bold and startlingly modern ceramic tradition that flourished in Korea during the 15th and 16th centuries of the Joseon dynasty (1392-1910), as well as its eloquent reinterpretations by today's leading ceramists.